||'Tjala Arts's importance in the resurgence of
men's painting in the Anangu Pitjantatjara Yankyunytjatjara Lands', 2006.
Arbus and Susan Sontag: for or against? The wrestle of photographic interpretation
in the light of The Revelations exhibition', 2006.
||'An investigation into thirteenth and sixteenth
centuries Sawankhalok naga and makara finials in the Thai ceramics collection
of the Art Gallery of South Australia', 2006.
||'Traversing the imaginary landscape: an investigation
of a pair of Japanese screen - legendary landscape with temples and shrines c.
||'Deep and defiant: Dusan and Voitre Marek; two
European emigre artists in postwar South Australia', 2006.
||'A parallel interrogation of culture: art forgeries
in the age of authorial demise', 2006.
'Ships Ahoy! The symbol of the ship in Indonesian textiles', 2006.
||'Julie Dowling: whose story does she tell?'
||'Two views of Venice: the Venice prints of Whistler
and Mortimer Menpes', 2006.
||'Kathleen Sauerbier: a catalogue raisonne',
||'The evolution of Maccasan narratives in Yolngu
art of Arnhem Land: form and function', 2006.
||'Invoking disaster: Visions of the monstrous
and catastrophic in Japanese visual culture from the Edo and postwar periods', 2006.
||'Colin Coulihan; unveiling an Australian modernist
||'The rise of urban Indigenous art in response
to colonialism', 2006.
||'The resurgent body: a reaction to politics
or digital disembodiment? An investigation of Mike Parr's work since 2000', 2006.
||'Subverting the domestic: constructing the new
female uncanny in contemporary art', 2006.
||'Skangaroovian funk: provincialism or not?,
South Australian non-functional ceramics in the 1970s', 2006.
||'Contemporary German photography and American
realism: is colour the only link?', 2004.
||'The post-war Japanese avant-garde movements:
the distinct phase of anti art 1954-1970. Gutai, Neo-Dada, Hi Red Centre and Mono-ha',
||'Going for the Baroque: the use of neo-baroque
aesthetics in contemporary photomedia', 2004.
||'The distinctive fish motif on a 14th century
Iranian bowl in the Art Gallery of South Australia's William Bowmore Collection
of Islamic ceramics', 2004.
||'Flowing water and lofty mountains: Ichikawa
Beian: Calligrapher and Scholar', 2004.
||'Schulim Krimper: modern furniture designer',
||'Yilpinji Art 'Love Magic': Changes in Representation
of Yilpinji 'Love Magic' objects in the Visual Arts at Yuendumu', 2004.
||'The expression of identity and cultural continuity
in the work of the Lockhart River Art Gang', 2004.
||'Contemporary Indigenous art reflecting the
place of prison experiences in Indigenous life', 2004.
||'Harry Pelling Gill: a practising artist, supervisor',
||'Aboriginal textile art: Ernabella batiks and
the screenprinted fabrics of Tiwi design', 2003.
||'A piece of a ceramic puzzle: a fifteenth century
Vietnamese wall tile from Java', 2003.
|Ann Preston Flint
||'Dora Chapman: artist, teacher, wife, a career
thwarted or a career achieved?', 2003.
||'The Berkeley, Hill and Gilbert families: Images
of childhood and domesticity in colonial South Australia', 2002.
||'Max Klinger's Intermezzi; a critical analysis',