| Name |
Dissertation Titles |
| Ann Axelby |
'Tjala Arts's importance in the resurgence of
men's painting in the Anangu Pitjantatjara Yankyunytjatjara Lands', 2006. |
| Rosanna Barson |
'Diane
Arbus and Susan Sontag: for or against? The wrestle of photographic interpretation
in the light of The Revelations exhibition', 2006. |
| Kate Chattaway |
'An investigation into thirteenth and sixteenth
centuries Sawankhalok naga and makara finials in the Thai ceramics collection
of the Art Gallery of South Australia', 2006. |
| Maria D'Ieso |
'Traversing the imaginary landscape: an investigation
of a pair of Japanese screen - legendary landscape with temples and shrines c.
1630', 2006. |
| Cheri Donaldson |
'Deep and defiant: Dusan and Voitre Marek; two
European emigre artists in postwar South Australia', 2006. |
| Sean Farran |
'A parallel interrogation of culture: art forgeries
in the age of authorial demise', 2006. |
| Alison Fowler |
'Ships Ahoy! The symbol of the ship in Indonesian textiles', 2006.
|
| Julia Lim |
'Julie Dowling: whose story does she tell?'
2006. |
| Gary Morgan |
'Two views of Venice: the Venice prints of Whistler
and Mortimer Menpes', 2006. |
| Gloria Strzelecki |
'Kathleen Sauerbier: a catalogue raisonne',
2006. |
| Deborah Wallman |
'The evolution of Maccasan narratives in Yolngu
art of Arnhem Land: form and function', 2006. |
| Sera Waters |
'Invoking disaster: Visions of the monstrous
and catastrophic in Japanese visual culture from the Edo and postwar periods', 2006.
|
| Karen Hewitt |
'Colin Coulihan; unveiling an Australian modernist
painter', 2006. |
| Nerina Dunt |
'The rise of urban Indigenous art in response
to colonialism', 2006. |
| Jenny Kalionis |
'The resurgent body: a reaction to politics
or digital disembodiment? An investigation of Mike Parr's work since 2000', 2006.
|
| Kate Moskwa |
'Subverting the domestic: constructing the new
female uncanny in contemporary art', 2006. |
| Judith Worrall |
'Skangaroovian funk: provincialism or not?,
South Australian non-functional ceramics in the 1970s', 2006. |
| Tansy Curtin |
'Contemporary German photography and American
realism: is colour the only link?', 2004. |
| Tomoko Nakayama |
'The post-war Japanese avant-garde movements:
the distinct phase of anti art 1954-1970. Gutai, Neo-Dada, Hi Red Centre and Mono-ha',
2004. |
| Cherie Prosser |
'Going for the Baroque: the use of neo-baroque
aesthetics in contemporary photomedia', 2004. |
| Janet Worth |
'The distinctive fish motif on a 14th century
Iranian bowl in the Art Gallery of South Australia's William Bowmore Collection
of Islamic ceramics', 2004. |
| Jennifer Harris |
'Flowing water and lofty mountains: Ichikawa
Beian: Calligrapher and Scholar', 2004. |
| Karen Finch |
'Schulim Krimper: modern furniture designer',
2004. |
| Mary Rivett |
'Yilpinji Art 'Love Magic': Changes in Representation
of Yilpinji 'Love Magic' objects in the Visual Arts at Yuendumu', 2004. |
| Amelia Matthews |
'The expression of identity and cultural continuity
in the work of the Lockhart River Art Gang', 2004. |
| Sue Foster |
'Contemporary Indigenous art reflecting the
place of prison experiences in Indigenous life', 2004. |
| Fiona Sherwin |
'Harry Pelling Gill: a practising artist, supervisor',
2003. |
| Lesley Smith |
'Aboriginal textile art: Ernabella batiks and
the screenprinted fabrics of Tiwi design', 2003. |
| Elise Kamleh |
'A piece of a ceramic puzzle: a fifteenth century
Vietnamese wall tile from Java', 2003. |
| Ann Preston Flint |
'Dora Chapman: artist, teacher, wife, a career
thwarted or a career achieved?', 2003. |
| Jill Swan |
'The Berkeley, Hill and Gilbert families: Images
of childhood and domesticity in colonial South Australia', 2002. |
| David Heinrich |
'Max Klinger's Intermezzi; a critical analysis',
2002. |
