Graduate Studies in Art History and Curatorial & Museum Studies The University of Adelaide Australia
Further Enquiries:

Graduate Studies in:
Art History and
Curatorial & Museum Studies


School of History & Politics
Napier Building 423
The University of Adelaide
SA 5005 AUSTRALIA
Email

Telephone: +61 8 8303 3749
Facsimile: + 61 8 8303 3443


Art Gallery of South Australia

Developed jointly by the University of Adelaide and the Art Gallery of South Australia.

Applications Art History Timetable Virtual Exhibition

MA by coursework - theses completed since 2002

To date 21 students have completed the MA program which constitutes a welcome addition to an art historical research culture in Adelaide. The theses completed are:

Rosemary Heysen, 'Nora Heysen in the Pacific 1953 - 1962', 2006.

Karen Hewitt, 'Colin Colahan; unveiling an Australian modernist painter', 2006.

Sera Waters, 'Invoking disaster: Visions of the monstrous and catastrophic in Japanese visual culture from the Edo and postwar periods', 2005.

Nerina Dunt, 'The rise of urban Indigenous art in response to colonialism', 2005.

Jenny Kalionis, 'The resurgent body: a reaction to politics or digital disembodiment? An investigation of Mike Parr's work since 2000', 2005.

Kate Moskwa, 'Subverting the domestic: constructing the new female uncanny in contemporary art', 2005.

Judith Worrall, 'Skangaroovian funk: provincialism or not?, South Australian non-functional ceramics in the 1970s', 2005.

Tansy Curtin, 'Contemporary German photography and American realism: is colour the only link?', 2004.

Tomoko Nakayama, 'The post-war Japanese avant-garde movements: the distinct phase of anti art 1954-1970. Gutai, Neo-Dada, Hi Red Centre and Mono-ha', 2004.

Cherie Prosser, 'Going for the Baroque: the use of neo-baroque aesthetics in contemporary photomedia', 2004.

Janet Worth, 'The distinctive fish motif on a 14th century Iranian bowl in the Art Gallery of South Australia's William Bowmore Collection of Islamic ceramics', 2004.

Jennifer Harris, "Flowing water and lofty mountains: Ichikawa Beian: Calligrapher and Scholar', 2004.

Karen Finch, 'Schulim Krimper: modern furniture designer', 2004.

Mary Rivett, 'Yilpinji Art 'Love Magic': Changes in Representation of Yilpinji 'Love Magic' objects in the Visual Arts at Yuendumu', 2004.

Amelia Matthews, 'The expression of identity and cultural continuity in the work of the Lockhart River Art Gang', 2004.

Susan Foster, 'Contemporary Indigenous art reflecting the place of prison experiences in Indigenous life', 2004.

Ann Preston Flint, Dora Chapman: artist, teacher, wife, a career thwarted or a career achieved? 2003,

Fiona Sherwin, Harry Pelling Gill: a practising artist, supervisor, 2003.

Lesley Smith, Aboriginal textile art: Ernabella batiks and the screenprinted fabrics of Tiwi design, 2003.

Elise Kamleh, A piece of a ceramic puzzle: a fifteenth century Vietnamese wall tile from Java, Credit.

Jill Swan, 'The Berkeley, Hill and Gilbert families: Images of childhood and domesticity in colonial South Australia', 2002.

David Heinrich, 'Max Klinger's Intermezzi; a critical analysis', 2002.


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